There is
something magical about the presence of Jennifer Garner. And it’s not just
about a pretty face, either. In her, there is true charisma and talent, far
surpassing the glitz and glam of one-note action stars like Jennifer Lopez.
This is why it’s so relieving to see her in a real movie here, rather
than another brain-dead, quick-cutting blockbuster, similar to her last
project, Daredevil. 13 Going on 30 may not be the highlight of
her career, or even a showcase of top-notch acting, but it is a movie to
remember. It proves that Ms. Garner is the versatile actress that I
suspected her to be the first time I saw “Alias.”
The plot may resemble an average retread of Big,
but the execution works wonderfully. Thirteen-year-old Jenna Rink (Christa
B. Allen) is a typical, nerdy Jr. High student, who has invited the most
popular group of girls at school to her birthday party, along with some
older boys. They’ve accepted, willingly, after she offers to do their
school-project, which is due the next day, in return. However, they execute
a plan to ditch the lame event by sticking Jenna into her closet, and
telling her that the boy she has a crush on is going to come in and do
“whatever he wants” momentarily. They blindfold her, saying that if she
removes such a diversion, she will not be able to partake in the pleasurable
activity. They leave the party and grab the project Jenna has done for them,
abandoning her with her best friend Matt (Jack Salvatore Jr.), as he eagerly
awaits playing a song on his portable keyboard for her. At that moment, the
“wishing dust” Matt has given her falls upon her head, as she simultaneously
wishes to become thirty, the age of everyone who is hip and happening.
The next morning, Jenna wakes up to find her
thirty-year-old body (Garner) sleeping in her own apartment, with her
boyfriend in the shower. This, of course, automatically causes her to freak
out. She discovers she now has an editorial job for her favorite magazine,
Poise, and is finally considered cool by her peers. A dream come
true, right? Only the youngest of viewers would truly believe so. She
catches up with an older Matt (Mark Ruffalo) to explain the entire
situation, assuming they’re still friends. Surprise, surprise! Jenna finds
that she left him behind in high school and became popular, now working with
one of the same girls who ditched her birthday party seventeen years ago.
Throughout the movie, Jenna confronts truths, bonds with Matt for apparently
the first time in a long while, and experiences all those “blah-blah”-like
conventions of switcheroo-flicks. The difference between 13 Going on 30
and the average film in this genre is a simple one—it’s in good hands. Not
one member of the cast or crew makes a wrong move during the ninety-seven
minute running length.
In 30 Going on 30, Garner has the same
sparkle that Tom Hanks did in Big. I know, that was just the second
time I’ve referenced the latter film, and as much as I hate doing do, the
parallels one is able to draw between it and this one are literally
uncountable. Garner and Hanks were calm and relaxed in crafting their
performances of drastically imaginative roles, but, ironically, such a style
makes viewers feel at home when watching the two movies. Most importantly,
both actors were able to make the material they were working with genuinely
hysterical, raising the bar for other flicks in the genre. At times, I was
embarrassed because I was laughing so hard at Garner’s work, simply because
of the rather tired concept it embodies. The feeling wasn’t necessarily a
bad one, though. I felt welcomed into the world of Jenna, experiencing the
crazy turn of events in which 13 Going on 30 chronicles with her.
Director Gary Winick (Tadpole) has cleverly
strayed from the independent-film scene, but his work here is just as
pleasing as his in the 2002 film, which was made for only $150,000. His
style has changed over the course of two years, in order to adequately
accompany his material, but his taste hasn’t. Tadpole was about a
fifteen-year-old boy, named Oscar, who dates an older woman because of his
need to be considered sophisticated. Jenna’s feelings may be a bit more
normal than his, but comparing the two projects is quite simple. As long as
he is making quality and worthwhile pictures, though, I couldn’t care less
about the subject matter of them. That is exactly what 13 Going on 30
is—a well-made, entertaining, and divertingly funny creation. It may be
cookie-cutter, but its contents are as delicious as the sugary, golden brown
baked goods, fresh out from Grandma’s oven.
-Danny, Bucket Reviews (4.28.2004)
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