As time progresses, each movie that Woody Allen makes becomes more 
  similar to his previous effort. Anything Else is a beautifully 
  comedic exception to this. Not only are the direction and writing are 
  improvements on the filmmaker’s other recent pictures Hollywood 
  Ending and The Curse of the Jade Scorpion, but his 
  performance is also better. Allen is a great comedian, but his acting range is 
  very limited. Usually, his performances offer the same-old fast-talking, New 
  Yorker shtick. His work in Anything Else, is exactly this. But in 
  stead of writing the leading role for himself, he chose to play a supporting 
  character—a very wise decision.
       This time around, the two main 
  parts are played by the hysterical Christina Ricci and likeable Jason Biggs. 
  The plot, full of innocent sexual jokes and both physical and mental comedy, 
  does have the typical Allen feel, but features more than just a few new 
  twists. Biggs plays Jerry Falk, a twenty-one year-old struggling writer of 
  comedy, stuck in a relationship with a psychotically crazy girl named Amanda 
  (Ricci). Most of the story is told through flashbacks, which show their 
  relationship’s beginning and decline. While these are definitely the highlight 
  of the movie, those that take place in real time, are still very, very funny, 
  mostly because of Allen’s character. He plays David Dobel, a part time 
  comedy-writer, as well as a school teacher. He befriends Jerry, and is also 
  used as inspiration for the young man’s writing.
       Without a doubt, Ricci highlights 
  the movie, and delivers one of the best performances of the year. In each 
  scene she’s in, Ricci sucks up all of our attention; we laugh at every 
  punch-line. Her character, Amanda, is always helpless, without being needy of 
  the audience’s sympathy. She’s the type of woman that’s hilariously 
  hysterical, but is never thought of as comedic. Allen, who has a gift for 
  writing swift and breezy dialogue is able to play with this, and in 
  partnership with Ricci, he crafts one of the best characters of the year. And 
  even so, she stands out over him. While Anything Else is clearly 
  a team effort, the lead actress is the one to thank for its success.
       Anything Else isn’t 
  going to make Allen successful again, nor will it gross more than ten million 
  dollars at the box office, in total. It is, however, a good movie that you 
  should see. And if that alone isn’t worth a positive recommendation, I don’t 
  know what is. Biggs is good, Ricci is fantastic, the script is superb, and the 
  writing is ingenious; who could ask for more? As the rest of this year passes, 
  I know that my respect for Anything Else will greaten. Comedies 
  are sometimes the hardest films to make—the material must be entertaining, the 
  context that each joke is in must be perfect, and the performances must be 
  portrayed with a certain amount of mastery. This movie does all of the above, 
  proficiently. The fact, alone, that it’s playing on over one-thousand screens, 
  domestically, is a blessing in itself. 
  -Danny, Bucket Reviews