All 
  I can say is, thank goodness for Steve Martin and Queen Latifah, because 
  without them, Bringing Down the House wouldn’t have anything. The 
  writing is predictable and formulaic, the direction is blatantly lifeless, and 
  the production is just dreadful. Possessing all of these negative qualities, 
  it would seem nearly impossible for this film to appear at all humane. But 
  thanks to the chemistry of comic geniuses Martin and Latifah, viewers won’t be 
  pained by what’s happening onscreen. I, myself, was pleasantly surprised at 
  the easy-going mood. But, sometimes, there just aren’t enough good features in 
  a bad movie to save it from a negative rating.
  
       Peter Sanderson (Steve Martin) is a business-man, who 
  has everything, except love. His ex-wife, Kate Sanderson (Jean Smart), left 
  him because of the dedication he had towards his work, and ignorance towards 
  the family. The film opens up to Sanderson, chatting on the internet, with a 
  woman who goes by “lawyer girl.” Being a tax attorney himself, he helps her 
  find solutions to typical legal troubles. When the two begin to get to know 
  each other even more, Peter invites “lawyer girl” over for champagne. But when 
  his doorbell rings, and he opens the door, comes a giant surprise. Instead of 
  a sleek, sexy, and charming blonde, walks in an over-weight, beat-up, African 
  American woman. Her name is Charlene (Queen Latifah). She is an ex-convict, 
  who comes with a proposition. Charlene vows to herself, to not leave Peter’s 
  life, until he expunges her record of crime. She claims that she is innocent, 
  but by her cover, this is hard to believe.
  
       Queen Latifah, who is a great actress, had never been 
  in a lead role, before this movie. With an Oscar nomination for 
  
  Chicago, 
  she has nothing to hide, but pure excellence. In Bringing Down the 
  House, she steals the show from every other great performer in the cast. 
  Latifah is always bold and daring in each of her roles, which are never a bit 
  low-key. Charlene is somewhat of a helpless character, but is always able to 
  light up each scene with something huge. Whether this be big laughs laughs, 
  shocking thrills, or a charismatic screen presence; Latifah is always at the 
  top of her game. Despite the bad script, Charlene is just interesting enough, 
  for Latifah’s talents to work with. This film is proof, in vein, that comedic 
  actors don’t need just good jokes to be funny.
  
       Steve Martin isn’t at his best in Bringing 
  Down the House, but his performance is, nothing short of hilarious. He is 
  one, unlike Latifah, to either work with a script, or completely improvise. In 
  movies, directors usually make their actors abide by the script, which Adam 
  Shankman obviously does with Martin (see what I mean when I say “blatantly 
  lifeless direction?”). This disables him from being at the top of his form. 
  But, regardless, his character does bring quite a few laughs. While the 
  funniest crack is spoiled by the trailer, this film is definitely worth seeing 
  when it hits the market for DVD and home video for the others. Even though Mr. 
  Martin is, at times, hilarious in this film, it seems as though he should stop 
  acting, while he’s ahead. Despite solid performances in his last three films, 
  each and every one of them has been part of a mediocre motion picture.
  
       With its own fair share of laughs, Bringing 
  Down the House is sporadically entertaining, but never sparks. Personally, 
  I would expect better from Martin, though, don’t get me wrong, he is very 
  good. Latifah is definitely the strong suit of the film, and glows in every 
  scene that she is in. The direction is terrible, and the production is 
  pitiful; and this is for certain. With cons that slightly outweigh its pros, 
  this is a film that I would recommend ignoring, for the next few months, until 
  it reaches a DVD release date. There are definitely some terrible factors in 
  this film, which will distract viewers immensely. Technicalities are one 
  thing, but the most noticeable flaw to the naked eye is predictability. As 
  I’ve said, what drags this film down is the depravedly, low-brow script.
  
  -Danny, Bucket Reviews 
  
   
  
  
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