Warning: Spoilers ahead. If 
                  you plan to see Hollywood Homicide, then read my 
                  review for it after doing so.
                       In my review for National 
                  Security, which came out earlier this year, I said that I 
                  wished that
                  
                  Hollywood would stop making 
                  buddy cop movies. I take that back. I wish that
                  
                  Hollywood would stop making 
                  buddy cop movies, without Josh Hartnett and Harrison Ford. 
                  This pairing brings such a fresh and wonderful spice to such a 
                  dull and clichéd genre, it’s hard to not like their latest 
                  film Hollywood Homicide. Another positive feature 
                  working towards this films advantage is that director Rob 
                  Shelton, who also made the year’s Dark Blue, 
                  knows how to bring out Ford and Hartnett’s charismatic 
                  presence onto the screen, in just the right way. 
                  Hollywood Homicide brings humor back the buddy cop genre, 
                  and I was pleasantly surprised by its every move.
                       Joe Gavilan (Ford) and K.C. Calden 
                  (Hartnett) are partnering L.A.P.D. detectives, who are 
                  assigned to investigate the murder of an up-and-coming rap 
                  group. Neither of these guys cares much about his job as a 
                  detective. Gavilan also sells real estate and is obsessed with 
                  trying sell a particular house, and needs to do so 
                  desperately; he even negotiates a deal on a home during a 
                  giant police chase. Calden wants to pursue a career as an 
                  actor, and get out of the police business; he makes Galivan 
                  run lines with him when driving to places on the job. But, 
                  they still do manage to fit being detectives into their 
                  schedule. Galivan is a veteran to police-work, and thinks he 
                  can handle the entire murder case by himself. Calden, a 
                  rookie, is anxious to be working with him, and obviously has a 
                  lot to learn about being a member of the P.D. You know the 
                  formula—the two hate each other from the start, but then once 
                  the murder case begins to unravel the rookie cop learns a few 
                  things, and the veteran cop warms up to him; after it’s all 
                  solved, the two are great friends. Oh? Did I just spoil the 
                  end of the movie? I guess I just assumed you’d already guessed 
                  it, hadn’t you?
                       It’s good that Ford and Hartnett 
                  perform well, because without two persevering stars, 
                  Hollywood Homicide (and every other decent buddy cop 
                  movie) would be dead in the water. These two men are the only 
                  actors in the entire film that provoke laughs, try hard to 
                  portray the character that they’re playing in the very best 
                  way possible, and attempt to lead the rest of the cast. Almost 
                  everyone in the flick else walks through their role, and you 
                  can noticeably tell that the only reason they worked on the 
                  project was to receive a big, fat paycheck in the mail. But,
                  Hollywood Homicide is worth looking at because of 
                  the two stars, who ultimately save it from being an unabashed 
                  disaster. Another thing that I find quite amusing about their 
                  pairing in the movie is that both of their characters 
                  experience as detectives is very similar to the stages they’re 
                  in, in the movie business. Ford has been acting for a very 
                  long time, and is beginning to wind down from his career. 
                  Hartnett is a young, likeable, and a bit of a clumsy guy—but 
                  has potential to be a great actor. Hollywood Homicide, 
                  unintentionally (I imagine), resembles this in an inventively 
                  metaphorical way. 
                       Hollywood Homicide is 
                  an enjoyable formula flick that symbolizes the reason we go to 
                  see summer movies—to have fun. Ford and Hartnett are pitch 
                  perfect together, and help us feel relaxed when watching the 
                  picture, making it a much more enjoyable ride. 
                  Hollywood Homicide succeeds on comedic, charismatic, and 
                  inventive notes, which allows me to deem it as one of my top 
                  picks of the summer so far. Just when I thought that we were 
                  in for a grim summer, another quality movie pops up out of 
                  nowhere, and makes me consider otherwise. 90% of the films 
                  I’ve seen in the last two weeks have been enjoyable, which is 
                  a sure improvement over previous periods of time, earlier this 
                  year. The fact that Hollywood Homicide is one of 
                  those enjoyable flicks makes me elated. Ford has chosen yet 
                  another winning screenplay to add to his resume full of 
                  masterful performances. I hate to finish this review in such a 
                  flat way, but I really only have one thing left to say—Hollywood 
                  Homicide rocks!
                  -Danny, Bucket 
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