Many great comedians are awful at finding and choosing 
                    the right roles. Rowan Atkinson, the accomplished and often 
                    hilarious Brit, is one of these comedians. While he was 
                    funny in Rat Race, two years ago, and will go down in 
                    history for his excellent performances as the character Mr. 
                    Bean, recently Atkinson has obviously been having a hard 
                    time picking the right movie to star in. After last year’s 
                    tremendously flat Scooby Doo, here he is again in 
                    this year’s latest flop, Johnny English. This movie 
                    thinks it’s great at spoofing spy-movies, but only about 
                    twenty percent of its attempts at humor work. Making a 
                    parody of the spy genre is one of the most exhaustedly 
                    worn-out ideas in Hollywood. If the filmmakers of a flick of 
                    this nature would like to see their movie succeed, its 
                    screenplay and technicalities must be in tip-top shape. 
                    Johnny English isn’t even close to being in such a 
                    condition. While Atkinson is always there to bring much of 
                    the dead comedy to life, he can’t even turn it into anything 
                    more than a half-pleasant diversion. I laughed a couple of 
                    times at Johnny English, but I’m in no mood to grant 
                    it any grade, that’s even close to positive.
                         Johnny English (Atkinson) is your 
                    classic bad secret-agent. His gun never works when he needs 
                    it, he’s not slick and dashing, and every single plan he 
                    creates is flawed. As you could imagine, English isn’t 
                    assigned to handle any big investigations, and is only 
                    trusted to hand other agents case files, and do other ‘busy 
                    work’ of such a nature. But when all of the other agents in 
                    London are killed in a mysterious explosion, it’s, finally, 
                    his lucky day. Mr. English is the most clueless super-spy in 
                    the city, but he’s also the best they’ve got—the only one. 
                    The mission he’s assigned to is to find the royal jewels of 
                    England, which have been stolen from the all-powerful queen.
                    Johnny English is just one big collage of crazy, 
                    dorky stunts, British accents, and comic visuals. I would’ve 
                    had a jolly time at the movies when viewing it, if I hadn’t 
                    seen the exact same thing, a million times before.
                         I can’t deny that Johnny 
                    English is funny, some of the time. I probably laughed 
                    for a solid fifteen of the ninety minutes that make up its 
                    duration. All of the written-material that I laughed at, 
                    though, was clichéd. When I chuckle at a movie that, 
                    basically, just copies other movies—my enjoyment of the 
                    material is only complementing the original creators of the 
                    humor. And frankly, there’s nothing original about Johnny 
                    English. It’s just another addition to the already dead 
                    spy-spoof genre. The only movies, of this type, that have 
                    worked in a long while, are those in the Austin Powers 
                    franchise. This film is just another disgraceful and 
                    unpleasant motion picture, that works in my favor, by 
                    proving several of my points.
                         Natalie Imbruglia is, quite 
                    surprisingly, a very solid performer in Johnny English. 
                    Straying from the music scene, she shows some terrific 
                    acting abilities in this movie. Even though Imbruglia’s 
                    performance here is nothing more than an entertaining piece 
                    of work from a charismatic star, she does make Johnny 
                    English watchable, most of the times. If she had picked 
                    a better flick to star in,  Imbruglia could’ve earned much 
                    respect from the critics. Sadly, her efforts here will not 
                    be remembered by most, due to the mediocre film that they’re 
                    showcased in.
                         I can’t quite say that Johnny 
                    English is awful to watch, but creatively speaking, it’s 
                    a piece of crap. When it’s on cable, it’ll come across as a 
                    quite tolerable, little detour for a boring afternoon. 
                    Paying full-price to watch it isn’t a good idea, though—you 
                    won’t get your money’s worth. If you have kids, and they 
                    want to see it, renting the video will suffice. But, for 
                    your own sake, I must not stray from making my point—Johnny 
                    English is, most definitely, not worth your while.
                    -Danny, 
                    Bucket Reviews