2003’s Pirates of the Caribbean: The Curse of 
                        the Black Pearl may have been a sprawling motion 
                        picture, but it never even came close to reaching the 
                        level of incoherency maintained by its 
                        two-and-a-half-hour sequel, Dead Man’s Chest. For 
                        the most part, I liked the original film, whatever its 
                        inconsistencies; it contained sweeping action scenes and 
                        fresh, hilarious comedy from the outrageous funnyman 
                        Johnny Depp. Its follow-up is just as all-over-the-place 
                        but nowhere near as cohesive a movie; most of Dead 
                        Man’s Chest’s clever material is either stretched 
                        out into far too long a segment or simply a reiteration 
                        of what made The Curse of the Black Pearl so 
                        enjoyable. Not to mention, for at least half of its 
                        duration, I didn’t have a clue what was going on in the 
                        plot. To a certain extent, I was able to recognize 
                        certain neat elements that this film has to offer, 
                        mainly in the form of special effects, but never did my 
                        admiration for its content extend beyond a thought to 
                        myself saying “hey, that looks pretty cool.”
                             Speaking of the special 
                        effects, it’s hard to deny that Pirates 2 is a 
                        visual knock-out. From the CGI-tentacles on the infamous 
                        character Davy Jones’ face to the grand appearance of a 
                        giant sea-monster that the characters battle, each frame 
                        of the film is a real treat for the eyes. However, 
                        viewers’ amazement in the look of Dead Man’s Chest 
                        will be countered by their frustration in its WTF-ridden 
                        storyline. I’m not sure if it was screenwriters Ted 
                        Elliot and Terry Rossio’s script that led to the general 
                        incomprehensibleness of the film or if the real problem 
                        lies in Gore Verbinski’s messy direction but, whatever 
                        the reason, the events that occur in the story are 
                        almost impossible to logically piece together into a 
                        whole. Not that audiences will care enough about the 
                        once-likeable characters to work to try to decipher what 
                        actually happens in Dead Man’s Chest; all of the 
                        identifiable originality that brought the cast to life 
                        in The Curse of the Black Pearl seems stale and 
                        tired this time around. Even the before-irresistible 
                        antics of Depp’s Jack Sparrow seem dated.
                             Speaking as what I would call 
                        a “casual fan” of the first Pirates of the Caribbean 
                        film, I hope that this second-entry in the series merely 
                        represents a rough patch in the tales of Depp’s Sparrow, 
                        Orlando Bloom’s Will Turner, and Keira Knightley’s 
                        Elizabeth Swann. While its refined look may be deserving 
                        of several aesthetic-related Oscars come winter, its 
                        overall entertainment-value doesn’t even rival some of 
                        the most average of this summer’s other blockbusters. 
                        Still, I haven’t lost faith in the previously-proven 
                        talents of the cast and crew just yet. Perhaps the 
                        now-signed Keith Richards will be able to boost their 
                        morale and artistic-palettes playing Sparrow’s father 
                        and, with any luck, bring some life back to the 
                        franchise in its third installment. Dead Man’s Chest 
                        may not be able to offer the soundest of voyages to 
                        moviegoers, but due to its already-immense box-office 
                        success, it is certain that the Pirates will surely have 
                        many chances left to wail bigger, bolder, and more 
                        interesting yo-hos.
                        
                        -Danny, Bucket Reviews (7.17.2006)