Recently, people have 
        been letting our old pal Jack Nicholson take the easy way out. Between 
        his latest effort Anger Management and this film, one wonders if 
        old age is affecting his ability to choose a good script. Something’s 
        Gotta Give is truly enjoyable for a mere hour and fifteen minutes, 
        but after that, we start to take notice of the terrible dialogue and 
        unfunny script. Now, don’t get me wrong, Something’s Gotta Give 
        offers its fair share of laughs, but they are few and far between. These 
        actors know that they want and deserve better material. Ironically, this 
        movie suffers from the same two problems as Gigli did, but 
        there’s one difference between the two films—the former was panned by 
        the press, while this flick is getting rave reviews.
        
             And this is really the 
        problem. Critics seem to be so star-struck when they see Jack and Diane 
        light up the screen that they automatically decide to give the movie a 
        positive review. However, when the two are working with such a dreadful 
        screenplay, I’d rather see Ben and Jen in their places. The dialogue 
        tacky, the picture is overly long, and only a few of the jokes succeed 
        in being more than just amusing. Watching this terrific cast being 
        force-fed such brain-dead lines in the useless manner of director Nancy 
        Meyers is actually quite painful. Something’s Gotta Give is a 
        teen movie wrapped in pretty paper, so the adult crowd will think of it 
        as a mature comedy. Oh, please. That’s about the last title that comes 
        to my mind when I ponder its mediocrity.
        
             Something’s Gotta 
        Give is sweet enough in its intentions to watch on Saturday morning, 
        but it isn’t a rewarding experience. It’d be a lot easier for me to say 
        that it is, and conform to the ways of my fellow critics that have, but 
        I honestly can’t. I’m sorry, Mr. Nicholson. So sorry you made a shitty 
        film.
        
         
      
        
             I laughed, and I 
        laughed, and I laughed some more. This doesn’t excuse the disappointing 
        and formulaic plot from almost ruining the entire movie, however. The 
        thing about the Farrelly Brothers that I’ve always admired is that 
        they’re able to craft an inventive and original plotline, even if the 
        flick that it’s featured in isn’t funny. Sometimes this method doesn’t 
        help at all, as we all saw in the horrific Dumb and Dumber, but 
        every once in awhile, it guides one of their films to success. (We 
        witnessed this special case in There’s Something about Mary, 
        Me, Myself, and Irene, and, most noticeably, in Shallow Hal).
        Stuck on You is much different than their previous works, because 
        of its conventional plot. But it’s pretty damn funny, and we mustn’t 
        overlook this. So funny that in fact, it’s actually one of the better 
        movies in release at this time.
        
             Of course, this will 
        all change in a week or two, when all of the major Oscar contenders are 
        released, but for the time being, I’m quite pleased to be able to day 
        this. Stuck on You is innocent fun. Comedies these days are 
        lacking the kind-heartedness that this one has. It’s is a PG-13 rated 
        teen-targeted motion picture without a single fart joke (talk about 
        remarkable). It has the same dorky, but loveable morals and values as 
        its fellow comedies, but incorporates them into its context without 
        being too sappy or anticlimactic, as a result. If the rest of the films 
        in this genre were to bear the same characteristics as this one, the 
        whole world would be better off. It’s this type of movie that all of us 
        moviegoers need, both cheery and delightful.
        
             Most of the film’s 
        success is not created by the Farrellys, either. Aside from the terrific 
        idea, they aren’t responsible for any of it at all, actually. Rather, 
        our two loveable leads, Matt Damon and Greg Kinnear, are the ones who 
        make Stuck on You the hilarious cinematic event that it is. They 
        share the screen abnormally well; if they were two no-names, the 
        audience might actually have believed that they were the conjoined twins 
        that they play in this movie, in reality. Eva Mendes is also great at 
        playing her ditzy supporting character, too, fitting the profile in 
        every way, shape, and form.
        
             If the plot-line had 
        been less predictably mediocre, Stuck on You may have actually 
        ranked as one of my favorites films of this year. Let’s hope that the 
        Farrelly Brother’s next effort is more innovative. I look forward to 
        seeing it.