From the moment that 
        the first promotional clips for this movie were released, I was 
        confident that it would be terrible—melodramatic and corny in every way. 
        My initial reaction was the opposite of most everyone else’s; the 
        majority of moviegoers thought that it would be grand. And here we are 
        now. The Last Samurai has opened to mixed reviews and a hesitant 
        following. Those that were anxiously awaiting it have found themselves 
        disappointed. But, of course, I, the guy who didn’t think that it’d be 
        any good, love it. Isn’t it ironic how things often turn out?
        
             The Last Samurai 
        may be long, but it’s a completely worthwhile epic that’s both riveting 
        and enthralling. Rarely will an audience feel as though they’ve 
        experienced a gigantic journey after watching a film, but this is a 
        welcome exception. There are so many emotions that one encounters when 
        viewing this motion picture; it fearlessly captures passion, animosity, 
        apprehensiveness, pain, nervousness, courage, love, tiredness, and 
        anxiousness. The epic is one type of film that Hollywood producers can 
        flawlessly create. This movie is a wonderful example.
        
             Despite my many 
        reservations about Tom Cruise, it’s hard to deny that he knows what he’s 
        doing here. While his performance may not be one of the best of the 
        year, it suits the role, and acts as a subtle centerpiece for the 
        eventful and booming plot. Several of the other members of the cast, 
        however, are astonishing. Ken Watanabe is the standout of the film. His 
        portrayal of his honorable and unafraid character is fierce and swift, 
        miraculous in every aspect. William Atherton, Koyuki, and Hiroyuki 
        Sanada are also terrific in their roles.
        
             The Last Samurai 
        is certainly one of the most visual impressive films of the year, as 
        well. I was reminded of Myazaki’s animated feature My Neighbor Totoro 
        when gazing at the serene and lush backdrops from wondrous locations in 
        Japan. Behind the camera capturing them, we have expert cinematographer 
        John Toll. The photography alone makes The Last Samurai worth 
        seeing. The rest of the many pros are mere pluses on an infamous list of 
        the great things that this movie has to offer. To experience it is 
        miraculous; it allows us to think of life in a completely different way 
        than we normally would.