The horror. 
                The horror. The horror.
                
                     What 
                seems to have a great story with an enticing plot in the 
                beginning goes desperately wrong after the first twenty minutes.
                The Transporter is nothing short of a failure, which ends 
                up being one of the worst movies of the year. The first scenes 
                have the catchy flair of xXx, and are quite good, I 
                admittedly was hooked; but somewhere in the middle of it all the 
                would-be motion picture event turns into a scummy little kung-fu 
                disaster. We don’t see an ounce of good acting, except for Jason 
                Statham’s acceptable performance. And to add another con to the 
                already giant list, the casting directors choose actors who 
                could barely speak English. The direction was terrible, the 
                camera angles make us sick, and the production is horrific. The 
                film is as funny as Kung Pow to watch, but there is one 
                problem; it’s not supposed to be a comedy. I wanted to scream at 
                how bad it was, after the first hour, the entire piece lost any 
                sense of respect I had earlier had for it.
                
                     Frank 
                Martin (Jason Statham) is a man who will transport you, or any 
                possession ypu have, in exchange for cash, no questions asked. 
                As long as he has the perfect dimensions, weight and quantity of 
                the people or objects you are transporting, he can get away from 
                any person or force, and get everything to the place where you 
                want it to be, on schedule, following an estimated time limit he 
                provides his customers with. He has a set of rules that must not 
                be violated, two of the most important are numbers two and 
                three, no names are exchanged throughout his dealings and that 
                he will not look inside of his customers packages. For years he 
                had been strict to his rules, and had never broken one of them, 
                but curiosity took its toll when a tote-bag he was transporting 
                started moving. When he opened it up, he finds a Chinese woman 
                inside. At first, she tries to run, but he catches up to her 
                quickly and stuffs her back into the trunk of his car as if 
                nothing has happened. When he delivers her to the address he was 
                provided, things get messy, and he sees that she is going to be 
                tortured. He decides to save her, and she chooses to stay at his 
                house. The two fall deeply in love, or at least he falls deeply 
                in love with her, she goes with it for the sake of getting 
                something that she wants accomplished, and he is the only one 
                who has the physical power to do so. Up to this point in the 
                flick, I was prepared to give it a passing grade because it held 
                my interest, but then things turn into some weird type of a 
                foreign filmmaking extravaganza. If you’ve just heard all of the 
                fun parts from me, then why see the entire movie?
                
                     The 
                direction is sloppily done and busily cut, which is not in the 
                least bit exciting. Oriental filmmakers have some weird vision 
                in their heads, telling them that if they cut a movie so you can 
                barely see anything that happens, then it will some how cover up 
                all of the errors. This works occasionally, but the terrible 
                acting here is much too noticeable to try to hide, because 
                everyone is horridly wicked in the way they go about their 
                roles. At the beginning, Jason Statham is good, but after that, 
                just like the rest of the film; his performance plummets and is 
                unable to capture what Vin Diesel did in the similar xXx. 
                Though he was pretty bad, he wasn’t the worst of all; that title 
                goes to Qi Shu, who plays Lai, the woman who is “transported” to 
                evil men. The first of many problems I have with her is that she 
                can barely speak English, some of her lines are even in Chinese, 
                but we don’t get any subtitles to accompany them. Many people 
                say she’s cute, but I find her to be repulsive looking from head 
                to toe. Not much better is the actor who plays her father, Ric 
                Young, who made me want to laugh. His character is hilarious, 
                though he is supposed to be the most serious of all. When he 
                tries to look mad, it’s sad how funny the end result turns out 
                to be. 
                
                     I can 
                officially announce that The Transporter is the most 
                pointless film of the year. Terrible performances, direction 
                that will make you sick, and an ugly sense of style make it far 
                less than a treat to watch. With the absence of the first twenty 
                minutes, which earn it the one bucket that it rightfully 
                deserves, there is absolutely no point to seeing it. I am not 
                able to say this about many movies that come around, but I can 
                deem this one painful to watch. Unless you would like to be hit 
                over the head with mindless stupidity for multiple times, look 
                elsewhere, far elsewhere.
                
                -Danny, Bucket Reviews